Art historian Dr. Romano argues that the Italian painter Artemisia Gentileschi developed her dramatic use of light independently of Caravaggio's influence, contrary to the traditional view that she was a follower of his style.
Which finding, if true, would most strongly support Dr. Romano's argument?
- A
Gentileschi's father was a painter familiar with Caravaggio's work.
- Bcheck_circle
Newly examined early paintings by Gentileschi, dated before her exposure to Caravaggio's work, already display her distinctive lighting techniques.
- C
Some art historians have praised Gentileschi's technical mastery.
- D
Gentileschi and Caravaggio both worked in Italy in the early 17th century.
Explanation
A is decisive: works predating exposure to Caravaggio show the same technique, refuting derivative-influence accounts. C actually supports the traditional view; B and D are tangential.